RPDR8, Episode 8

Joining me this week to discuss the Drag Race is IMP QUEEN! She recently celebrated her very first year of drag, but she's already an indelible presence in the Chicago scene. (Photo by Jo Control with styling by Daniella DeLuna)

imp1
imp1

Chad: I was so thrilled with this week's episode -- I think it might be the high point of the entire season! There's plenty of fun stuff to talk about, but first, let's dig into the workroom drama between Naomi and Derrick. What do you think was at the heart of their bickering?

Imp Queen: I think last night they reached the point of the competition where politeness and tact and desire to appear "unbitchy" on TV went out the window. Derrick accused Naomi of attacking her to cover up her own insecurities, but sometimes I think the behavior you imagine you are seeing in others is really the behavior you are refusing to see in yourself. I think Derrick seemed really shaken by the journey of the competition, the struggle to find his own "authentic" identity in drag. And I think Naomi was rightfully annoyed that Derrick kept criticizing Naomi's objectively superior visual drag. Also, as much as this is "the big fight of the season," there really wasn't all that much animosity, just spirited disagreement. This wasn't a Shangela/Mimi or a Phi Phi/Sharon moment. Which I think speaks to the increasing media savvy of the queens each season.

Chad: One of the reasons I enjoyed this episode so much was that, even after all that animosity, Naomi and Derrick made an effort the following day to talk and help each other out. It was very humanizing and warm -- the bonds of their sisterhood were evident.

Naomi
Naomi

Chad: Naomi was described this week as the underdog of the season, but honestly, I had been thinking that was Chi Chi's storyline! Who do you think deserves a spot in the final three?

Imp Queen: I've been saying since week one that Kim and Bob are locks for the top 3 to me. I just could never for a moment imagine the season going any other way. But the third spot could really go either way. Both Naomi and Chi Chi have performed extremely well in all aspects of the competition. They both are endearing. I think Chi Chi's edit has a little more storyline, but only because the judges were kinda sleeping on Naomi at the beginning of the season for some reason. Pageant answer: they both deserve it. Non-pageant answer: I pick my Neverland sister Naomi.

Chad: I would truly be happy to see either in the final three, alongside Kim and Bob, of course!

Imp Queen: Also, like, heaven forbid Kim Chi gets cut next episode-- it would be really cool to see an all Black top three, especially since there hasn't been a black queen in the top three since season 2.

Chad: I can't even contemplate such a thing -- No Kim Chi in the final 3? I think that's officially sacrilege, especially in the city of Chicago.

Imp Queen: Yeah, exactly. It's actually just not possible to comprehend.

Chad: I have two questions for you: Are you a fan of Strangers With Candy? And were you a fan of the queens' performance that paid homage to it?

Imp Queen: I LOOOOOOOVE Strangers With Candy! I thought the queens' performance was like the Ball challenge opening numbers always are-- silly, pointless, sloppy, and wonderful. It was a lot of fun to hear Amy singing (I would LOVE a Strangers With Candy musical...) but like, what was with the false teeth they were all wearing? None of them were able to lip sync!

Chad: I know! That was the weirdest part of it. I'm also a huge, huge fan of Amy Sedaris and her work on Strangers with Candy, but I agree entirely with your summation of the homage. But... at least it was short!

Imp Queen: Kinda great, though. One of my favorite lip sync moves is to do the Coco Montrese point-at-your-mouth thing, but then get all the lyrics wrong.

Chad: HA! I love that so much. I wasn't initially thrilled with the Book Ball challenge -- I was worried that the use of paper would echo the Money Ball from Season 3. But I actually LOVED the autobiographical theme of the challenge, and the runway looks slayed me. Which were your favorites, and what are your thoughts on their construction/innovation/concept?

Imp Queen: Kim was hands down the winner of the Ball. The queens were joking about it in Untucked, but she really did "embrace the material"-- and not just paper, but the whole idea of an autobiography challenge focused on your relationship with drag and your mother. She went deeper conceptually and emotionally than any of the queens, crafting a clear and compelling visual story that HAD ACTUAL CONTENT!!! Her looks said something deeply personal about her life experience, something that has a real emotional cost for her to share. She didn't win because of her flawless construction and her perfect taste. She won because she showed us something special and sad and beautiful about herself.

KimChi
KimChi

Chad: I thought Kim's looks were utterly stunning. Her story and her performance were so masterful!The way the challenge was constructed to allow the queens to visually convey their history and character was fantastic, but I think it was particularly suited to Kim's skills -- she knocked it out of the park! I adored both Naomi and Chi Chi's eleganza looks -- what did you think of them?

Imp Queen: Naomi's was absolutely stunning-- the silhouette when she leaned back was just gorgeous. I don't know if you're aware of this, but I look exactly like Naomi Smalls. We're practically twins. (lol in my imagination) I think Chi Chi was also great, especially the hair and face pieces. I think both Naomi and Chi Chi's looks felt a little bit similar to their looks from the wizard of oz challenge, but amplified. I think that makes a certain sense; you're creating all of these pieces so close together, and I know my drag sort of moves through phases of similar visual obsessions.

ChiChi
ChiChi

Chad: I agree -- I'm obsessed with those hairpieces that Chi Chi made. And the earrings, too. I had to draw her close up, because the angles were stunnnnning. I thought her use of the varied textures were really interesting, but I wasn't quite as drawn to the overall gown.

Imp Queen: Yeah, the way she placed the earring to extend the lines of her bone structure was super QT

Chad: I guess you're quite knowledgeable about unconventional uses of paper applied to one's face, aren't you?

Imp Queen: lolol what can I say, I love a nice natural lash... just one pair of 3001s. I actually really liked Bob's look, too.

Chad: Yeah! The colors were gorgeous, and I loved that hair on her.

Imp Queen: I think it's very smart to spray yourself a strong color if everyone else is walking out in off-white.

Chad: Do you feel like she skirted the challenge by using primarily cardboard?

Imp Queen: I mean, I guess so, but i don't get the sense there's a real advantage to cardboard over paper-- so it doesn't feel like cheating or dishonesty, just like missing the opportunity to give the judges what they really wanted. I'm glad cardboard-gate didn't turn into tulle-gate 2.0

Chad: Bob got a lot of shit from the other girls about her makeup -- what do you think of her paint?

Imp Queen: I mean, it's not good... Kim said it best-- it looks like she wears lips and lashes. But like Bob said, her paint isn't really the point. So, like, I think I can be a sickening drag queen even if I can't death drop or tongue pop or serve you Rihanna in a one-armed leotard. And i think Bob can be a sickening drag queen wearing one pair of 301s and some strawberry lipsmackers. It's all about what you DO have to offer. That said, once you get to a certain level, maybe it's time to step your pussy up (and I think Bob has, paintwise. She looks so much better now gigging the gig than she did shooting a year ago.)

Bob
Bob

Imp Queen: I LIVED for her Sylvester lip sync!!!!

Chad: Ha! It was fabulous! And I was so tickled by the song selection!

Imp Queen: One of my favorites, and you could tell Bob really loves the song, too. Derrick did a great job, too, but she was definitely the supporting actress.

Chad: I took a million screengrabs during the lip sync for reference, and I was struck by how many wonderfully expressive and varied faces Bob was pulling at every moment in her performance.

Imp Queen: I loved the moment when Bob slid on his knees, and then Bob and Derrick sort of scooted along the floor together in sync.

Chad: And then her moment with Derrick after Bob was told to stay -- I think that was a magnificent moment of tenderness between them. It was an incredibly WARM episode. They've been through a lot, but there was a lot of reconciliation this week.

Imp Queen: Also, like, from an appearing-on-reality-TV standpoint, that was really smart. Like, Bob knows some shit went down with him and Derrick, he doesn't know 100% how the edit will go down, so he makes a point of saying, in a very public moment, how positive he feels about Derrick and how much they've grown.

Chad: I think Bob is EXTREMELY smart with how she comes across onscreen. Compassionate and fun and creative.

Imp Queen: She and Kim both I think are being very genuine, but also playing the TV part of the game very intelligently-- like Bianca and Willam did, where it felt like they were holding up little storyline signposts for the editors to pick up on and use. That's Kim's ultimate embrace of the material.

Chad: HA! Brilliant. That leads me to my final question: When's dinner?

Imp Queen: lololol seriously though, I'm hungry.

Chad: Did you have any other topics you'd like to discuss?

Imp Queen: Last little thought about Kim Chi the entrepreneur--- I think Trixie and Katya changed the game last year in terms of how to market yourself online and IRL during the airing of your season. And I think Kim is really taking what Trixie did and going, like, ten steps further. She's far and away the best businesswoman to ever be on the show. Releasing gorgeous Adam Ouahmane photos of every runway look, a new limited edition T shirt of every catch phrase... She's playing the fuck out of this game, and building the kind of platform that will keep her one of the top Ru girls for years to come.

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imp2

Find Imp Queen on InstagramSoundCloudand Snapchat! (@impqueen) She'll be performing May 4th at Hydrate's #FACE, and she'll be at SmartBar's Queen! on May 8th. She'll be performing and hosting at IT Presents' next party May 12th at Berlin, and then at Neverland's Animal Farm IML party at Charlies. Every Monday, she's at Annex at the Boom Boom Room, and every Thursday, she's at Debonair Social Club for Neo.  (Photo by Erik Michael Kommer)

Find all this week's art on my Etsy store!

RPDR8, Episode 6

Hi folks! It's just me and my dumb art this week. My interview didn't work out, but that's okay, because after talking Drag Race non-stop for 4 days in Seattle at Emerald City Comic Con, I'm happy for a break! (Thanks to everyone who came by! It was great!) With the Wizard of Oz runway, I was really hoping for wild, avant garde looks from the queens. They don't assign you a poppy-fueled interpretive dance challenge if they don't expect you to pull some crazy shit, right? But the majority of queens brought out underwhelming looks. Some simply lacked the imagination, others probably lacked time.

In any case, let's get to the good stuff:

thorgy-emerald
thorgy-emerald

I liked the looks of Thorgy and her partner -- I didn't actually know what the "Citizens of the Emerald City" looked like, but after googling them, it's clear that Thorgy stuck pretty close to the source material while giving her looks a sleek, simple consistency.

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kim-witch

Kim and her partner came out in fairly simple garments, but they had a fabulous graphic appeal. And those brooms! Trading, hitting, flying on them. Maybe even sweeping with them! Plus, I'm a total sucker for stripes.

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naomi-scarecrow

I was excited that Naomi stepped it up this week. I like her a lot, but I agree with the judges that she needed to branch out beyond her lingerie sets, and it's clear she's learned a lot from those Barnes & Noble fashion magazines!

This week's prints of Kim and Naomi are already available on my Etsy store! And if you feel like it, you can sign up to send me a few dollars every month at Patreon!

COLORING WITH QUEENS

coloring-logodownload-linkC'mon Season 8! Let's get COLORING! That's right, I'm having a COLORING CONTEST to celebrate the start of RuPaul's Drag Race, Season 8! I'll pick winners from multiple categories who will receive DUMB DRAG GRAB BAGS full of stupid stuff.

Click here to download the high-quality files to get started! Share them on Instagram, Tumblr, or Twitter and tag them with #coloringwithqueens by 5pm (Central Time Zone) Thursday, February 25th to enter!

HE-RA: Masters of the Everything

Tongue I had a major revelation on Thanksgiving. While rooting through an old closet at my parents' house, I dug up my old HE-MAN toys. And I realized, "Wow, these are everything."

It's fair to say that HE-MAN has had a major impact on my artistic inclinations throughout my career.

The original line of HE-MAN figures all shared the same ridiculously muscular torso and weirdly small, bow-legged feet. The heroes all had absurd, homoerotic harnesses and skimpy armor, but I was obsessed with the villains. They're the beastly ones with freakish tongues and appendages, but with that same delicious torso.

Snake-guy

(I have no idea what this guy's actual name is, but I call him Randy Reacharound.)

I loved the bizarre variations on the same basic template, the bold colors, and the utter weirdness of them all. Other toy lines, like Teenage Mutant Ninja Turtles, had their share of fun characters, but HE-MAN always had the greatest hold on me.

I wanted to create my own character designs, inspired by the original spirit of HE-MAN, but playing more with gender and sexuality. Thus was born HE-RA: Masters of the Everything!

He-ra

Here's the hero HE-RA, who clearly isn't based on any pre-existing characters at all.

Skelletra

And here's SKELLETRA, the wickedest bitch in the land.

Klor

This is KLOR, HE-RA's greatest rival.

BolttBOLTT, one of my favorites.

Cobrella

This is COBRELLA, lookin' pretty in pink.

Karol

And.... KAROL.

Ziefgang

ZIEFGANG is not intended to bear any resemblance to any sexy bear characters from any videogames whatsoever.

Whiskrz

He is fast, he is deadly, he is... WHISKRZ.

Glorzok

Obviously, I played around with the same basic pose and ridiculous musculature throughout all these, but with GLORZOK, I wanted to show a gloopy, formless character who literally molds himself into shape with his armor.

As you might guess, I have prints of all these lovely creatures available on Etsy!  Just in case you want to add some hunks to your wall.

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PATREON TUTORIAL #5: Keeping it Real

As an art student, you can spend countless hours learning to draw models and still lives as realistically as possible, mastering the subtleties of shading, form, and anatomy. But as a cartoonist, if you try to convey that same level of detail and accuracy in each panel, you'll probably go mad, and you'll miss a lot of what makes cartooning so magical. It's taken me a long time to learn that lesson, and I often need reminders.

Maybe there are times when you need to sink whatever amount of time is necessary into an illustration to show off everything you can do. The cover illustration of your book? Sure. But as I've developed a career in art and illustration, I've learned the importance of doing more with less. There are deadlines to meet, hours to bill, priorities to make. Do you want to sink more time into fewer pieces, or get a lot done in a simpler style?

comparison

Which of these drawings is better? I don't know, that's a complicated question. But I can tell you that the goofy drawing on the right took me a lot less time, and I like it a lot more.

When I was first diving into my own comics after college, I was trying to make every single page as gorgeous as it could be. But I had a hard time making any progress, because I would keep going back, fixing any perceived mistakes, doubting every step.

A good cartoonist is quick. They develop a set of tools and tricks that get the job done: they're efficient, effective, and they're fun. 

Spideyhop-1One of my very favorite artists working in superhero comics today is Chris Samnee. He manages to capture a sense of solidity and life with minimal details, clever compositions, and simple use of shadow. (Seriously, check out that gorgeous work on the left! He's great.)

All of us develop our own style, one that involves our own ways of simplifying the world – whether it's through playful abstraction of the human body, whimsical linework, or whatever. That's the magic of cartooning!

So what are some ways to simplify?

  • mantadadStop worrying about what looks "real" and concern yourself with what works. 
  • Don't just copy. Or don't ONLY copy from other people's work. You can definitely learn a lot from other artists, but you'll only develop your own distinctive style experimenting on your own!
  • Draw small! I love doodling in a tiny sketchbook to keep myself from getting too detailed.
  • Set time limits! When I drew my comic MANTA-DAD, I limited myself to 2 hours a page. It wasn't always pretty, but it got done. Plus, I learned a lot and drew so many hunky men.
  • Give yourself deadlines! I send out dozens of original drawings to my Patreon supporters every month, so I keep them quick, and I keep them fun.
  • Doodle when you're tired and don't care! Weird stuff will happen.
  • If you're working digitally, don't let yourself zoom in past a certain point. And zoom all the way out every few minutes to make sure that the full page looks amazing.
  • chaosIf you're not working digitally, take frequent breaks to step back from your desk and see how it looks from afar.
  • Use the biggest, thickest line you can. Don't get hung up on fine lines, hatching, all that small stuff. Try using thick Sharpies and see what happens.
  • Insert some chaos into your process. I like to use a rough, textured drawing tool when working digitally.

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This post was made possible by my supporters on Patreon! Click here to find out more and support my work!

 

PATREON TUTORIAL #4: Gettin' Sketchy

Although the vast majority of my work is done digitally, sometimes I need to set aside the screen and draw on some paper. Although digital illustration gives you a tremendous amount of versatility and options for your work, those endless possibilities can prove creatively daunting. With so many tools at hand, I sometimes find myself losing my way – whether that's because I'm on week 10 of my Drag Race season, and I've been drawing the same damn thing for too long, or because I'm struggling to find the right style for an entirely new project. There's a set of tools and techniques I reliably turn to when I need to relax, loosen up, and let the ink fly.

sketching-stuff-1

My favorite tool for doodling lately has been my trusty old Pentel Brush Pen. It has enormous brush bristles, so it provides an extreme variety of line widths. And the dry brushing! Oh, such TEXTURE! You can squeeze the handle to send more ink into the brush, but sometimes it pays to exploit the gorgeous textural stuff that the Pentel provides as it's going dry.strokes

The Pentel is one of the most popular brush pens around, and it's also quite affordable. You'll probably see it at a fair number of art supply stores, and you can find them and their refills online. The one I use is probably about 10 years old, and it's still serving up its delicious, thick inks.

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I should warn you of a few peculiarities about the Pentel. The extreme variation of line width it offers also makes it difficult to be too precise or delicate with your linework. That can prove frustrating until you learn to embrace the Pentel's extremes and utilize that unpredictability to loosen yourself up.

Also, the ink is weird. Like, you'll find yourself smudging it and making a mess unless you learn to leave it alone until you're absolutely sure it's dry and will behave. The ink is water soluble*, so don't plan on using any ink washes or watercolors with it, unless you want things to get very runny. (*In my previous tests, the ink was water soluble, but apparently some refills are not? So, you should check for yourself!) I use Copic markers extensively with my Pentel doodles and don't have any problems.

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You might have a lot of fun just going to town with the Pentel and some paper, but I prefer to lay out rough sketches before inking up a page. My favorite tool for that sketching phase is the Prismacolor non-photo blue pencil.

blue-pencil

If you've ever stepped into an art supply store, you know that Prismacolor pencils are expensive. But they're also extraordinary. Their leads are soft and buttery, which is great for big, loose sketching that suits the linework you'll ink later with the Pentel.

pen leads

Alternatively, I also really love using non-photo blue leads in a mechanical pencil holder. You might not have realized it, but you can buy replacements leads for mechanical pencils at high quantities for low prices. And better yet, you can buy them in different colors or densities, just so long as you make sure the lead width matches the pencil holder you're putting them in! I use these Pentel non-photo blue leads, which offer a very delicate, precise line.

If you're wondering what “non-photo blue” pencils are, they're a holdover from old school design techniques. This particular shade of blue is designed so that it doesn't show up in black and white photography or old Xeroxes. Which sounds like a super cool magic trick, except that it will absolutely show up in your digital photos or scans. However! This color, because it's light and bright, is easy to Photoshop out of your work. There are a number of methods that will work, but I go to the “channels” section of Photoshop, select the Blue one, then copy and paste it into a new document! That should largely get rid of the blue sketch underneath your inked art, and then using some level adjustment will get rid of the rest!

blue-lines pen-sketches2 In the spirit of loosening yourself up, sometimes keeping things tiny will help, too. I really enjoy sketching in my tiny Moleskine book, because the little pages will keep you from getting too precious or detailed with your work. I find myself using a simple Bic pen in my Moleskine, because I can get incredibly delicate lines that work perfectly at that small size.

pen-sketches3

When sketching in a larger sketchbook, I find myself using either the Pentel or an Ebony pencil. I find that the Ebony gives me a soft, chunky line that's perfect when I'm doing character designs for The Cardboard Kingdom, the giant new comics project I've been working on the past few months!

ebony-sketches

postcard3I really look forward to my monthly postcard sketches for my Patreon supporters, because they're fun little doodles where I can experiment and let the weirdness flow. Like I said, I use Copic markers for these, specifically different gray tones that work well for shading. They don't seem to mess up the Pentel ink, and they add a great sense of solidity to the final work. I should note that I avoid Prismacolor markers, because their fumes give me massive headaches. Copics smell a bit, but they don't seem to have the same effect on my poor brain.

I hope some of these pointers have proven useful! Let me know if you have any questions about the materials or techniques! My monthly tutorials and process peeks are made possible by my amazing supporters on PATREON!

postcards1